Shelby and Chris’s November Wedding at 1890 Event Space | Platte City, MO

A hint of snow in the morning, an outdoor ceremony in coats and plaid blankets, the best sunset of 2022 and a KC Wolf surprise at 1890 Event Space.

Sun flare spills over the field as Chris dips Shelby into a kiss, her long veil sweeping the drive at 1890 Event Space

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Shelby and Chris got married at 1890 Event Space on the only Saturday in November I had a wedding in 2022, and the day did a little bit of everything. It started with a hint of snow, warmed up just enough for an outdoor ceremony, ended with the best sunset of my whole season, and then KC Wolf showed up to the reception. Chris did not know that last part was coming.

1890 Event Space, Just Outside Weston

1890 Event Space sits on the Highway 92 Spur in Platte City, a short drive from Weston and about twenty minutes north of downtown Kansas City. The name comes from the white Victorian house at the front of the property, built in 1872 and remodeled in 1890, and that house is reason enough to book this venue for getting ready. It has a turret with a crystal chandelier hanging in the bay window, a wraparound porch, and tiger oak woodwork in nearly every room: double doorways, a carved mantel with an oval mirror, a green glass tile fireplace. If a venue has bones like that, I’m going to use every one of them.

The ceremony was out on the lawn in front of the house, and the reception was in the main hall, which has dark vaulted beams, tiered crystal chandeliers and a row of windows up near the ceiling.

Getting Ready in the 1890 House

Shelby and Chris have an eye for detail, and you could see it before anyone was dressed. Their rings sat in a teal velvet box inside a little brass and glass case, on a filigree mirror tray with pearl hair pins, gold S&C wax seals and a brass Victorian shoe. Her gown hung from that turret chandelier with the leaf lace train running down the stairs.

Chris got dressed in a cobalt three piece suit with a mustard paisley tie, then went downstairs to shoot pool in his vest. Upstairs, Shelby’s bridesmaids threw confetti on the bed and then lost it completely when she came out in the dress. Two of them screamed, one gasped, and one put both fists in the air. Her mom, in bronze, did up the buttons in front of the oak mantel.

Bridesmaids in rust, burgundy and emerald velvet scream as they see the bride in a wallpapered suite at a Kansas City wedding
Confetti flies as Shelby laughs in a white robe beside bridesmaids in blush satin in the bridal suite at 1890 Event Space
Three rings rest in a teal velvet box on a gold filigree mirror tray with pearl hair pins and wax seals at 1890 Event Space
Low across a pool table, the groom lines up a shot over racked balls as a groomsman walks in for a Kansas City wedding
Through a half open bedroom door, the groom fastens his cufflinks in a navy suit before his fall wedding in Platte City

A First Look on the Stairs

They did their first look on the turret landing at the top of the oak staircase. Chris grinned through the whole thing, then bowed to kiss her hand in front of the bay windows. After that Shelby turned around for her dad and her brother. Her dad smiled. Her brother just started laughing.

Bowing his head, Chris kisses Shelby's hand on the oak stair landing under a crystal chandelier and tall bay windows
Chris grins at his first look with Shelby, standing in a cobalt suit and gold tie by the bay windows at 1890 Event Space
At the top of the staircase, the bride and groom kiss as her leaf lace train spills over the step at 1890 Event Space
Glimpsed through a doorway, the bride smiles at the seated groom under a crystal chandelier, bouquet in hand, in Kansas City
Seen over the bride's shoulder, her dad smiles and her brother bursts out laughing at their first look in a damask room

Rust, Emerald and Gold Hoops

The wedding party matched the season without matching each other. The bridesmaids wore rust satin, rust velvet and emerald velvet, and instead of bouquets they carried gold hoops wrapped in flowers by Botanical Floral Design: orange roses, burgundy ranunculus, dried banksia, eucalyptus and long strands of amaranth. The guys wore cobalt suits with rust ties. When Shelby and Chris kissed out front, the whole party threw their arms up.

For one frame the two of them stood perfectly still on the front steps while everyone else walked past. It’s a slow shutter trick, and it’s one of the few ways to get a whole wedding party in a photo without anybody standing in a line. Shelby’s gown also had a detachable leaf lace overskirt with a long train, and the second the wind caught it on the lawn, it flew straight out to the side.

Walking across the lawn below the turret, the wedding party in rust, emerald and navy laughs with the couple in Platte City
Arm in arm and laughing hard, the bride and her bridesmaids stand in emerald, rust and burgundy at a Kansas City wedding
Bridal bouquet and hoop florals by Botanical Floral Design with orange roses, banksia and amaranth against rust satin
Laughing toward the camera, the bride holds her fall bouquet as her leaf lace cape flies out against a white November sky

An Outdoor Ceremony in November

Outdoor ceremonies around Kansas City in mid November are a gamble, and the guests came ready: winter coats, hoods, gloves, and plaid blankets draped over the white chairs. The arbor was wrapped in white fabric with dried amaranth hanging from the top and floral columns on both sides, and Fountain City String Quartet played. The flower girl, in a long emerald velvet dress, handed out yellow mums to guests one at a time on her way down the aisle. Shelby’s dad walked her in with one hand pressed over his heart.

For their unity ritual they each poured soil from a glass vessel into a copper pot holding a young magnolia, then kissed right beside it. I like a ritual that leaves you with something that keeps growing after the wedding. After the pronouncement Shelby threw both arms up with the bouquet, and the recessional turned into a confetti storm. Chris covered his mouth like he couldn’t quite believe it.

Showered in confetti, Shelby laughs and Chris covers his mouth, overcome, during their recessional at 1890 Event Space
Pouring soil from two glass vessels, the couple fills a copper pot holding a young magnolia during their Platte City ceremony
Sealing their first kiss beside the freshly potted magnolia, Shelby and Chris hold hands in front of tall arborvitae
Both arms high, the newlyweds celebrate their pronouncement under the arbor at 1890 Event Space, her bouquet raised overhead
Grinning down the stone aisle, the newlyweds pass the draped arbor as guests start tossing white confetti at 1890 Event Space

The Sunset Everyone Talked About

When I first wrote about this wedding in 2022, I said you had to see their sunset portraits to understand. Still true. The clouds that sat over the property all day finally broke right at the end, and the light came in low and gold over the white rail fence and the hills. We stayed on the paved drive and the field next to it and mostly let it happen: her veil blowing across the frame, Shelby hugging Chris from behind while he smirked at me, a twirl under a sky that went peach and pink. By the time we walked back to the house it was dusk, and they went up to the balcony for one more.

Emerald, Gold and Candlelight

The reception kept the same palette going. The sweetheart table was a carved Victorian settee over emerald velvet, ringed by about eighteen gold lanterns with pillar candles, under a floral hoop and a white neon C&S heart above the fireplace. The cake was three emerald tiers with torn gold leaf and a cascade of orange roses on an amber glass stand. They made their grand entrance through cold sparks with Shelby holding the bouquet over her head, and the first dance was under those vaulted beams with every chandelier lit.

Dusk at 1890 Event Space as the newlyweds kiss on the balcony of the white Victorian house with its turret above the lawn
Empty reception hall at 1890 Event Space set with champagne linens, white chiavari chairs and crystal chandeliers
Sweetheart table at 1890 Event Space ringed with glass candle lanterns, Botanical Floral Design pillars and a floral hoop
Bouquet raised high, the bride leads the groom into their grand entrance as cold sparks fire and the wedding party cheers
Big laughs from Shelby and Chris beside their emerald and gold cake with orange roses as candles glow at 1890 Event Space

The Brisk Toast and a KC Wolf Surprise

The toasts had the best prop of the night. During one of the bridesmaids’ toasts, Shelby held up a two liter bottle of pink Brisk, and it stayed parked next to the settee for Chris’s toast too. Her dad got his dance, cheek to cheek under the beams.

Then came the part Shelby planned without telling Chris. She arranged for KC Wolf to crash the reception, and he came in wearing a Chiefs jersey and floral pants. Icon Events Group was on the music, and the dance floor did not calm down after that. Foam batons came out, one guest wore the gold leaf garland off a table as a necklace, and Wolf was still out there when Shelby was screaming with her bouquet in the air.

KC Wolf storms the dance floor with cold sparklers and glow sticks while Shelby and Chris laugh beside him in Kansas City
Screaming with both arms up and bouquet in hand, the bride leads a cheering crowd and KC Wolf at a Kansas City wedding
Sharing a laugh on the dance floor, the bride watches two guests clasp hands overhead, one wearing a gold leaf garland

Shelby and Chris, thank you for the details, the dress, the Brisk and the best sunset of 2022. If you want another fall wedding from that year, Cassidy and Trey’s Oakwood Country Club wedding was a month earlier. Planning a wedding at 1890 Event Space, or anywhere else around Kansas City? Take a look at Kansas City wedding photography pricing, build your own quote in a couple of minutes, or get in touch.

About the author

Kansas City wedding photographer, mom, and keeper of the emergency bobby pins.

I’m Erin. Every post in this journal is a real wedding I photographed, shared with the couple’s okay. Read more here.

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About the author

I'm Erin. Wedding photographer, veil wrangler, and a big fan of good timelines.

Photography isn’t my full-time job, and that’s on purpose. It means every wedding I take on is one I actually want to be at, and I show up to it rested, excited, and completely yours for the day.

I think through a wedding day in scenes, and my job is to notice all of it. You stay present. I keep up.

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