Emily and Josh’s Sunday Summer Wedding at The Guild | Kansas City, MO

A calm Sunday afternoon in the Crossroads, golden hour light on that enormous chandelier, and the liveliest dance floor I have ever seen.

Emily and Josh sit small on a velvet couch beneath a wood ceiling, glass globe lights and a skylight at The Guild

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Emily and Josh got married on a Sunday in August, and their dance floor is still the liveliest one I have ever seen. Bare feet, a flower girl doing full spins, and a packed floor long after I figured a Sunday crowd would start fading. Their wedding at The Guild in Kansas City was calm and easy all afternoon, right up until the music started.

Why I Love The Guild

I’ll just say it: The Guild is one of my favorite venues in Kansas City. It’s a big industrial space in the Crossroads with a steel staircase, a mezzanine, a loft under a wood ceiling, barrel trusses, brick everywhere, and a chandelier so big it sort of runs the room. Then you walk outside to a cedar ceremony stage under a huge old tree, with brick paths and string lights running through the branches. I notice lines and architecture first, and this place has good bones in every direction. Getting ready, the ceremony, portraits and the party all happen on the same property, which makes for a very relaxed day.

The Gown and the Veil

Emily’s gown from True Society was impeccable. It was an ivory hue with the most gorgeous texture, and getting that ivory to look exactly the way it did in person is the part of the job I care about most. Her embroidered cathedral veil got more use than most. Her bridesmaids spread it across the room while her mom fixed her hair, she tossed it up against the slat wall for no reason at all, and then she let it pool across the concrete at the bottom of that steel staircase. Hair and makeup were by Naturally You Artistry.

Bridesmaids spread Emily's embroidered cathedral veil as her mom fixes her hair at The Guild in Kansas City's Crossroads
Under the steel mezzanine of a Crossroads warehouse, bridesmaids fluff a long veil around the bride on a summer afternoon
Mid toss, the cathedral veil floats above the laughing bride against a wooden slat wall during her Kansas City wedding
Tiny at the base of The Guild's steel staircase, the bride spreads her True Society cathedral veil across the concrete
Bridal portrait on the stairs at The Guild, Emily holding her jewel tone Garden Gate bouquet before the ceremony

Her bouquet came from Garden Gate in deep jewel tones, with amaranth dripping right down over the lace. Over on Josh’s side, his dad got the last word on his tie in a round wood mirror, and Josh gave me one very cheeky half smile while he worked his cuffs. Suits were from Leibowitz Menswear.

A First Look From the Balcony

Emily is a sweetheart, calm and easy to be around, and Josh is her extroverted sunshine partner. They balance each other out, and it set the tone for the whole afternoon. For the first look, Josh waited on the main floor while Emily stepped out onto the balcony above him. When she finally made it down to him, his face did exactly what you hope it will.

Afterward we headed up to the loft, sat them on a velvet couch under that wood ceiling, and mostly let them laugh. A few minutes on the rusty stairs, one more round of Emily playing under her veil like it was a blanket fort, and we were done.

A Ceremony on the Cedar Stage

The ceremony was outside on the cedar stage, with two orange arrangements from Garden Gate and the late August light coming straight through the branches. The rings waited in green velvet next to protea, ranunculus and a dahlia. Josh walked his mom in under the string lights, and Emily walked in on her dad’s arm in all that gold, both of them smiling and a little emotional. Then on the way back out, Josh laughed through the entire recessional. Married, and he could not keep a straight face. Neither could anyone else.

Empty cedar ceremony stage at The Guild Kansas City with tree shadows and two orange floral arrangements by Garden Gate
Overhead flat lay for a Kansas City wedding: rings in a green velvet box on a ceramic dish with a dahlia and silk ribbon
Nestled in a Garden Gate bouquet, a velvet ring box sits among saturated jewel tone blooms for Emily and Josh
Protea and ranunculus from Garden Gate surround a green velvet ring box on a summer wedding day in the Crossroads

Before golden hour I ducked into the reception room while it was still empty. A berry naked cake, pink and orange florals with amber candlesticks along the head table, and old brick behind all of it. And yes, I always photograph the painted eye on the glass door. If you know that door, you know exactly where we are.

The wedding cake stands in front of a candlelit head table and exposed brick wall inside The Guild in the Crossroads
Pink and orange Garden Gate florals, amber candlesticks and blush gauze line the head table against a brick wall
Berry topped naked cake glows against a black background with soft candle bokeh at a Kansas City wedding reception
Hand painted eye and The Guild Kansas City lettering on a wired glass door at the Crossroads wedding venue

Golden Hour in the Trees

Then the sun dropped into the trees right on cue. We had brick paths, string lights and a sunburst through the branches, and these two kicked their shoes off the first chance they got. That gown got a full length frame by the birch trees, because it earned one. We finished back on the cedar stage where they said their vows, just the two of them under that big tree.

A Sunday Dance Floor

Dinner had my favorite light of the day. Golden hour came in through the bay doors and hit that chandelier, and I may have abandoned my plate for it. They cut the cake beside the green velvet and subway tile, then had their first dance under the chandelier with the whole room watching.

Then Beau Vaughn started the music, and this Sunday crowd went for it. Shoes came off all over the floor, and the flower girl, in green tulle, did full spins right in the middle. My favorite part of the night was watching Josh dance with her. It was well past the point where I figured a Sunday crowd would start fading, and the floor was still full.

Dinner seen from among the guests at The Guild, with a chandelier, steel trusses and sun flaring through bay doors
Hanging from barrel trusses, a huge chandelier glows over dinner at a Kansas City wedding reception in the Crossroads
Cutting the cake beneath a chandelier, Emily and Josh stand by green velvet and subway tile at The Guild
Puckered up and leaning in, Emily and Josh share a kiss over the wedding cake at their reception at The Guild
Eye contact during the first dance as guests softly watch under a chandelier and brick walls at a Kansas City wedding
Sharing a kiss during their first dance, the bride and groom stand under The Guild's enormous chandelier among guests

Why a Sunday Works

If you’re planning right now, here’s what I want you to hear. A Sunday, a Friday or a quieter month is every bit as valid as a classic spring or fall Saturday. Emily and Josh got the full day here: a ceremony under the tree, golden hour on the brick paths, the chandelier, and a dance floor I still bring up two years later. Nobody on that floor cared what day of the week it was, and you might just save a ton of money. If you’re still picking a date, my wedding planning guide is a good place to start.

Emily and Josh, thank you for the calmest afternoon and the loudest Sunday night. If you missed it, their engagement session is worth a look too.

Planning a wedding at The Guild, or any day of the week around Kansas City? Take a look at pricing, build your own quote in a couple of minutes, or get in touch.

The Team

  • Venue: The Guild
  • Florals: Garden Gate
  • Gown: True Society
  • Suits: Leibowitz Menswear
  • Hair + Makeup: Naturally You Artistry
  • DJ: Beau Vaughn

About the author

Kansas City wedding photographer, mom, and keeper of the emergency bobby pins.

I’m Erin. Every post in this journal is a real wedding I photographed, shared with the couple’s okay. Read more here.

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About the author

I'm Erin. Wedding photographer, veil wrangler, and a big fan of good timelines.

Photography isn’t my full-time job, and that’s on purpose. It means every wedding I take on is one I actually want to be at, and I show up to it rested, excited, and completely yours for the day.

I think through a wedding day in scenes, and my job is to notice all of it. You stay present. I keep up.

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